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A Fortunate Return! Don’t miss it!

Santuarium @ the Rainbow

Back at the beginning of August I was present at a show out in the east-end at the relatively new Obsession live lounge. The show was sparsely attended, due in part to the fact that it was competing with at least two other shows happening elsewhere on the same evening. While I’m sure those other events were just as enjoyable, the fact remains that those who didn’t attend missed a talented band from the other side of the world. Usually, such an opportunity wouldn’t happen again.

Fortunately, Brazil’s Santuarium have stuck around our corner of the world and will be coming back to storm the Rainbow on the 16th with Tomahawk Punch and Creeping Beauty. I can’t stress enough how good this band is (check out my review of the last show) and how much they deserve a howling crowd to greet them. Their approach to Metal is one of the most unique I’ve seen, coating their hard rock core with symphonic and gothic elements without allowing those elements to diminish their punchy guitar work and headbanging compositions.

So it’s a Wednesday night. Not the most convenient thing in the world, I know. But this is a dedicated band from across the globe that deserves an appreciative crowd. What else were you going to do that night?

Seriously, don’t miss these guys again. They’re killer!


Drawing Lines – The Self-Defeating Division and Derision in the Metal Community

You may remember me writing a different article on prejudice and bias in the metal community a while back. Consider this a companion piece to that one, as I’m taking on the same basic issue from a slightly different angle. Enjoy!

Image courtesy of  Last.fm

Image courtesy of Last.fm

I had an interesting talk with a co-worker the other day.

This co-worker of mine is big into the punk scene. He’s very much like me in his approach to punk in that he believes all forms have bands with merit. He doesn’t discriminate between pop-punk bands like Gob, hardcore like Black Flag, proto-punk like The Stooges, etc. He feels that there is quality music to be found in every portion of that genre. He feels that for punks to put themselves in even smaller boxes is ultimately self-defeating.

I couldn’t agree with him more. As someone who likes glam metal, death metal, NWOBHM, tech-thrash, and a whole host of other styles, I feel that for a metal fan to deny ones self exposure to new music based purely on some kind of prejudice against a certain scene or time frame is the definition of narrow minded.

For example, I’ve met my share of progressive metal fans in my travels. These are guys who like the high-minded, technical side of traditional and power metal. They like their music to be intelligent and ever-changing. I too think that progressive bands are incredibly interesting and would call myself a fan of several. But many prog fans deride glam metal as some kind of lower form of entertainment for less evolved beings. I don’t think that those fans, in all honesty, are being fair to themselves. Sure, there are many bands in that genre that could be considered simple pop music with hard rock guitars thrown in. But for every Poison or Bon Jovi, there’s a Mötley Crüe or Ratt.

That may make a lot of you chuckle, because they aren’t a technically gifted outfit, but think about it the breadth of their material. Throughout the course of their career, Crüe has never made the same album twice. Their sound has always fluctuated and changed and they now have one of the most musically diverse catalogues of music in heavy metal. Just through their first four albums they have glam rock/glam punk (Too Fast for Love), traditional heavy metal (Shout at the Devil), Sleaze Metal/Hard Rock (Theatre of Pain) and straight-up rock ‘n roll (Girls, Girls, Girls). That’s four different styles of music, each presented within the band’s own identity. Has Dream Theater ever been as diverse from album to album?

If you’re a prog fan who’s in it for the technicality and musicianship more than the variety and evolution, you might appreciate Ratt, who’s simple radio-friendly structures hide supremely talented and technical players. Just listen to the chops on “You’re In Trouble” from their first album.

Courtesy of KonigNick

To go for another example, I’ve met many people who claim to be massive fans of Pantera. I ask them if they’ve ever heard any of the stuff off of Power Metal, Projects In the Jungle, Metal Magic or I Am The Night; the band’s early, glam metal albums. More often than not they just stare at me looking perplexed. This is largely because that band, as awesome and awe-inspiring as they would become, completely abandoned and ignored their older material. I understand the reasons behind that decision, but I still feel it’s a shame that they felt the need to do that. There’s a ton of great songs, like “Out For Blood“, “Right on the Edge“, and “Death Trap“, that many Pantera fans have simply missed because, at the time, the band felt their only way to survive was to completely shed not only their old image, but their old material as well. To this day, many fans don’t know of that fantastic old-school material with Dimebag (Then known as “Diamond”) Darrell’s always stellar guitar work. That is down to the total derision of an entire section of the metal community in the 90s.

So don’t just ignore whole sub-genres based on your own prejudices or preconceptions. Give every band a fair chance to win you over, even if you’re not particularly fond of their image. You may find interesting material in places that you wouldn’t have thought to look.


Spotlight on: Odium

I’ve never been a huge fan of Melodic Death Metal as a genre. There are bands that fall within it that I enjoy immensely, At the Gates and Nightrage coming to mind. However, a lot of the time I find that the bands in this style fall into the trap of becoming overly melodic; i.e. the melodic/rock elements of the music overshadow and overtake the Death Metal roots. This is the case with In Flames and Sonic Syndicate; two bands who, over time, have shed all traces of true DM from their sound and now all that remains of those influences is the occasional guttural vocal in a song. To my mind, there has yet to be a band who has struck a perfect balance between Death Metal and Melodic without it sounding forced. Only the recent works by Scar Symmetry have come close.

This is where Walkerton’s Odium come in. What Scar Symmetry has achieved for European sensibilities, this band has achieved for the North American taste. In the vocal department, Tom Emmans alternates between a guttural rasp not unlike a more guttural Jamey Jasta, and clean vocals that are serviceable and familiar in a modern rock mold. The guitarists, Andrew Fullerton and Bo Louther, also familiar melo-death tricks to the show, reminding one primarily of At the Gates. The rythm section, bassist Dale Burrows and drummer Joe Mullen, does some really solid, supremely heavy things that keep the tunes grounded firmly in DM. Fantastic double kick work and bass licks that keep pace and perfectly fill the pocket between the guitars and the drums.


What makes Odium unique as a band in their chosen style is that one will never confuse them for a Scandinavian act. The clean vocals which, as mentioned before, are root in modern rock, are clearly of North American influence versus the more Power Metal-esque clean vocals of Odium’s Euro counterparts. The instrumentation, especially come chorus time in most of the bands songs, also betray the influence of a myriad North American radio staples.

Ottawa headbangers can catch these madmen from the other side of the province tonight at Cafe Dekcuf. They`ll be supporting local favourites Joe Thrasher and The Blood Red Truth. Doors or at 8PM so grab ten bucks and head on down to Dekcuf to catch this band`s uniquely North American take on a generally Swedish form of Heaviness.

For more information visit the band’s Myspace, Rabbit Hole Productions (Facebook) or the event page on Facebook